that's a good look

May 25

punkpistol-seditionaries:

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Anarchy shirt - designed by Vivienne Westwood & Malcolm McLaren
Property of PunkPistol @ www.SEDITIONARIES.com
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Anarchy shirt - designed by Vivienne Westwood & Malcolm McLaren

Property of PunkPistol @ www.SEDITIONARIES.com

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“These old systems of classification — couture, prêt-à-porter, street fashion — are no longer applicable. The boundaries have dissolved, the categories no longer exist in their pure form. The currently most influential designer labels use elements from all three categories to make up a single whole. They have taken over the inspirational role which used to be reserved for couture and then, starting in the 1960s, street fashion, and are driving the fashion machine on. The dressmakers who used to copy and reinterpret Dior in the 1950s have been replaced by industrial companies from every price bracket, from chains like Gap or H&M to the high end labels. These absorb the impulses generated by creative labels and then make huge global business with it. This is where direct influences will become visible, season after season.” Helmut Lang, “The permanent future: A conversation with Helmut Lang,” 1998 (via organization)

t3sjelly:

Carol Christian Poell Self-Edge “Metre” jacket

May 24

(via adrilaw)

May 23

organization:

Nothing Else
encens No.20
Photographer: Sybille Walter
Stylist: Haider Ackermann
Hair & Make-up: Carole Colombani
Model: Hannelore Knuts

(via nickdrake)

May 22

garbstore:

Mix Fabric Shirt by Bodega

http://www.couvertureandthegarbstore.com/Product/?p=6700&i=7656

bostonroll:

Saint Laurent Paris fall 2013

lacollectionneuse:

◆ジュンヤワタナベ/JUNYA WATANABE◆ＡＤ2006変形ＭＡ－1ミリタリージャケット(SS/カーキ)

deformed MA1 jacket • junya watanabe
21,390円

May 21

organization:

Heroes- Guest edited by Raf Simons
The Inspiration Issue #206 i-D Feb. 2001
Photographer: Willy Vanderperre
Stylist: Olivier Rizzo
Hair & Make-up: Peter Philips
Model: Robbie Snelders

aloverthatsighs:

This body of work is an exploration of the extent of cultural appropriation and encourages a discussion about it. I give the appropriator and the appropriated the opportunity to defend themselves and create a dialogue between them, while maintaining a neutral stance myself. I am not attacking those who appropriate, merely educating and creating awareness. I’m also exploring appropriation myself, and discovering the carying degrees of it within this visual conversation.

I’d like to make this a long term exploration, with a lot more participants as a form of generation-wide debate. If you’d like to be photographed to add your point of view, please do not hesitate to pop me a message here or an email at sanaahamid@yahoo.com and we could work something out!

(via non-westernhistoricalfashion)

Danny in Rick

(via godbody)

organization:

Rick Owens
Dressing the Home: The Private Spaces of Top Fashion Designers, 2008
by Marie Bariller, photography by Guillaume de Laubier

Q: What are your favorite color combinations in interior design? Are they the same as those you use in fashion?
A: I cocoon myself with “dust,” a soft, warm gray I’ve been using in my collections since day one; I always think of it as a transition color, twilight or dawn, a gentle hush of expectation…And a crisp, modern iPod white.

Q: What are your favorite materials?
Plywood, resin, bone, cashmere, glass, foam, rubber, leather, and fur.